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DC Comics ist neben Marvel Comics einer der größten US-amerikanischen Comicverlage. Besonders bekannt ist er aufgrund der Comicserien Batman und Superman. Weitere bekannte Figuren und Reihen sind u. a. Wonder Woman, The Flash, Aquaman und Green. DC Comics ist neben Marvel Comics einer der größten US-amerikanischen Comicverlage. Besonders bekannt ist er aufgrund der Comicserien Batman und. Die Liste der Figuren aus dem DC-Universum behandelt bekannte, fiktive Personen und Gruppen aus dem Comic-Universum des US-amerikanischen. Im DC-Universum wird es nie langweilig. Entdecke viele Comics und Neuheiten von Batman, Superman, Flash und anderen Superhelden! Für Fans und auch. 7 % MwSt.) zzgl. Versandkosten; Lieferzeit: Werktage · Details; 1 x 'Batman - Detective Comics ().

dc comic

Die Liste der Figuren aus dem DC-Universum behandelt bekannte, fiktive Personen und Gruppen aus dem Comic-Universum des US-amerikanischen. DC Comics ist neben Marvel Comics einer der größten US-amerikanischen Comicverlage. Besonders bekannt ist er aufgrund der Comicserien Batman und Superman. Weitere bekannte Figuren und Reihen sind u. a. Wonder Woman, The Flash, Aquaman und Green. James Tynion IV, Gary Frank, Geoff Johns, Ivan Reis, Cullen Bunn, Doug Mahnke, Dennis O'Neill, Mike Grell, Ron Marz, Darryl Banks, Peter J. Tomasi. Archived from the original on Click to see more 26, Next he took charge of organizing National Comics, [the self-distributorship] Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications ". In de jaren 80 besloot Dc comic flink de bezem olivier assayas halen door het aantal striptitels en personages, dat inmiddels https://kulmungi.se/hd-filme-stream-deutsch-kostenlos/hidden-places.php groot was geworden dat nieuwe lezers source de bomen het bos niet meer zagen. Major Wheeler-Nicholson remained for a year, but cash-flow problems continued, and he was forced. Back Issue! Aquaman by Mort Weisinger and Paul Norris. Feature Warner Bros.

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Scott Lobell. Emanuel Simeoni. Mark Verheiden. Gerald Parel. Lucky Chicken. James Tynion IV, Gary Frank, Geoff Johns, Ivan Reis, Cullen Bunn, Doug Mahnke, Dennis O'Neill, Mike Grell, Ron Marz, Darryl Banks, Peter J. Tomasi. Riesen Merchandising Auswahl zu den Superhelden des DC-Universums: T-​Shirts, Tassen, Taschen und vieles mehr zu Batman, Joker, Superman & Co. Superman, Wonder Woman, Batman, Spiderman und andere Helden des DC-​Universums werden in TASCHENs grandios illustrierter Reihe DC Comics. Hier findest du alle DC Comics Charaktere aus dem Universum von Eaglemoss. Egal ob Batman, der Joker oder Flash, mit unseren Figuren und Accessoires. Patty Jenkins' „Wonder Woman“ rettet das Genre der Superhelden-Erzählung vor der endgültigen Auflösung in Selbstreflexion, Bedeutungshuberei und.

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Aquaman and Batman Team Up in Today's Episode of The Brave and the Bold! Walter Flanagan. Sie machte sich ein Visit web page, das mit Aquaman s identisch war, und wurde zu Aquagirl. Ausgedacht wurde er von Gardner Fox und Carmine Infantino. Tom Grindberg. Michael Lark. Ted Click here. Babs Tarr. Frank Hannah.

Batman Mirror Coin. Batman Film Merchandise. LEGO Batmobile. Alles van DC Comics. Alle artikelen. Alles van Batman. Alles van Justice League.

Alles van Wonder Woman. Alle DC Comics games. Alle DC Comics stripboeken. Alles van Superman. Alles van The Joker.

Alles van Aquaman. The Flash. DC's Legends Of Tomorrow. In plaats van het oude personage met deze naam centraal te zetten, bedachten ze een nieuw personage dat was aangepast aan deze tijd.

Deze actie van DC zette andere uitgeverijen ertoe aan hetzelfde te doen. In de jaren 40 was het al zo dat alle personages van dat moment zich in hetzelfde fictieve universum bevonden, het DC Universum.

In de jaren 50 besloot DC dit universum uit te breiden tot een multiversum om zo meerdere verhalen te kunnen publiceren die niet altijd op elkaar aan hoefden te sluiten, en om te verklaren hoe het kon dat er nu opeens meerdere versies van hetzelfde personage bestonden.

Dit multiversum was voor het eerst zichtbaar in het verhaal "Flash of Two Worlds", gepubliceerd in Flash september In werd Batman-tekenaart Infantino bevorderd tot redacteur.

Omdat Marvel Comics DC dreigde te passeren als grootste uitgeverij van strips, besloot hij DC wat extra populariteit te geven door nieuwe personages en striptitels te introduceren.

Hij huurde hiervoor ex-Marvel tekenaar Steve Ditko in. Ook werd de markt voor de strips uitgebreid naar tieners en studenten.

Rond dezelfde tijd slaagde DC erin om Marvel-tekenaar Jack Kirby aan te trekken met de belofte dat hij vrij spel zou krijgen voor zijn verhalen.

Hij introduceerde schurken als Darkseid en het rijk Apokolips. Jenette Kahn , een voormalige uitgever van een kindertijdschrift, volgde in januari Infantino op als redacteur.

DC was op dat moment nog steeds aan het proberen terrein te winnen op Marvel door de markt te overspoelen met nieuwe striptitels.

In juni , kort voor het verschijnen van de eerste Superman-film , verhoogde Kahn het aantal titels nog verder.

De meeste waren geen succes en liepen maar enkele delen. Als gevolg hiervan werden ook veel tekenaars ontslagen.

In de jaren 80 besloot DC flink de bezem te halen door het aantal striptitels en personages, dat inmiddels zo groot was geworden dat nieuwe lezers door de bomen het bos niet meer zagen.

Met de delige stripreeks Crisis on Infinite Earths werd het DC multiversum teruggebracht naar een enkel universum, en werd het aantal personages sterk gereduceerd.

Ook greep DC dit verhaal aan om de personages die wel behouden bleven opnieuw te moderniseren. Hiermee kon DC de concurrentie met Marvel blijven aangaan, en strips bij een groter publiek bekendmaken.

Begin jaren 90 beleefde de stripindustrie even een korte opleving, mede door enkele verhaallijnen die zelfs media-aandacht kregen.

Een van deze verhaallijnen draaide om de dood van Superman door Doomsday. Detective Comics, Inc.

Liebowitz , Donenfeld's accountant, listed as owners. Major Wheeler-Nicholson remained for a year, but cash-flow problems continued, and he was forced out.

Shortly afterwards, Detective Comics, Inc. It is considered to be the first comic book to feature the new character archetype—soon known as "superheroes" and was a sales hit bringing to life a new age of comic books with the credit going to the first appearance of Superman both being featured on the cover and within the issue.

It is now one of the most expensive and valuable comic book issues of all time. The issue also contained the first essential supporting character and one of the earliest essential female character in comics with Lois Lane as Superman's first depicted romantic interest.

The character makes a distinction of being the first masked vigilante published by DC. Starting in , Siegel and Shuster's Superman would be the first comic derived character to appear outside of comic magazines and later appear in newspaper strips starring himself which first introduced Superman's biological parents, Jor-El and Lara.

Batman was depicted as a masked vigilante depicted as wearing a suit known as the Batsuit along with riding a car that would later be referred to as the Batmobile.

The superhero called Sandman was first written in issue No. The first revealed city was Superman's home city, Metropolis , that was originally named in Action Comics No.

The origin story would remain crucial for the fictional character since the inception. Next he took charge of organizing National Comics, [the self-distributorship] Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications ".

Despite the official names "National Comics" and "National Periodical Publications", the company began branding itself as "Superman-DC" as early as , and the company became known colloquially as DC Comics for years before the official adoption of that name in The company began to move aggressively against what it saw as copyright-violating imitations from other companies, such as Fox Comics ' Wonder Man , which according to court testimony Fox started as a copy of Superman.

Fawcett Publications, Inc. Faced with declining sales and the prospect of bankruptcy if it lost, Fawcett capitulated in and ceased publishing comics.

In the meantime, the abandoned trademark had been seized by Marvel Comics in , with the creation of their Captain Marvel , forbidding the DC comic itself to be called that.

While Captain Marvel did not recapture his old popularity, he later appeared in a Saturday morning live action TV adaptation and gained a prominent place in the mainstream continuity DC calls the DC Universe.

When the popularity of superheroes faded in the late s, the company focused on such genres as science fiction, Westerns , humor , and romance.

DC also published crime and horror titles, but relatively tame ones, and thus avoided the mids backlash against such comics.

A handful of the most popular superhero-titles, including Action Comics and Detective Comics , the medium's two longest-running titles, continued publication.

In the mids, editorial director Irwin Donenfeld and publisher Liebowitz directed editor Julius Schwartz whose roots lay in the science-fiction book market to produce a one-shot Flash story in the try-out title Showcase.

Instead of reviving the old character, Schwartz had writers Robert Kanigher and John Broome , penciler Carmine Infantino , and inker Joe Kubert create an entirely new super-speedster, updating and modernizing the Flash's civilian identity, costume, and origin with a science-fiction bent.

The Flash's reimagining in Showcase No. National did not reimagine its continuing characters primarily Superman, Batman, and Wonder Woman , but radically overhauled them.

The Superman family of titles, under editor Mort Weisinger , introduced such enduring characters as Supergirl , Bizarro , and Brainiac.

Schwartz, together with artist Infantino, then revitalized Batman in what the company promoted as the "New Look", re-emphasizing Batman as a detective.

Meanwhile, editor Kanigher successfully introduced a whole family of Wonder Woman characters having fantastic adventures in a mythological context.

Since the s, when Superman, Batman, and many of the company's other heroes began appearing in stories together, DC's characters inhabited a shared continuity that, decades later, was dubbed the " DC Universe " by fans.

DC's introduction of the reimagined superheroes did not go unnoticed by other comics companies. However, the senior DC staff were reportedly at a loss at this time to understand how this small publishing house was achieving this increasingly threatening commercial strength.

For instance, when Marvel's product was examined in a meeting, Marvel's emphasis on more sophisticated character-based narrative and artist-driven visual storytelling was apparently ignored for self-deluding guesses at the brand's popularity which included superficial reasons like the presence of the color red or word balloons on the cover, or that the perceived crudeness of the interior art was somehow more appealing to readers.

When Lee learned about DC's subsequent experimental attempts to imitate these perceived details, he amused himself by arranging direct defiance of those assumptions in Marvel's publications as sales strengthened further to frustrate the competition.

However, this ignorance of Marvel's true appeal did not extend to some of the writing talent during this period, from which there were some attempts to emulate Marvel's narrative approach.

For instance, there was the Doom Patrol series by Arnold Drake , a writer who previously warned the management of the new rival's strength; [50] a superhero team of outsiders who resented their freakish powers, [51] which Drake later speculated was plagiarized by Stan Lee to create The X-Men.

A Batman TV show on the ABC network sparked a temporary spike in comic book sales, and a brief fad for superheroes in Saturday morning animation Filmation created most of DC's initial cartoons and other media.

This tone coincided with the famous "Go-Go Checks" checkerboard cover-dress which featured a black-and-white checkerboard strip all DC books cover dated February until August at the top of each comic, a misguided attempt by then-managing editor Irwin Donenfeld to make DC's output "stand out on the newsracks".

In , Batman artist Infantino who had designed popular Silver Age characters Batgirl and the Phantom Stranger rose from art director to become DC's editorial director.

With the growing popularity of upstart rival Marvel Comics threatening to topple DC from its longtime number-one position in the comics industry, he attempted to infuse the company with more focus towards marketing new and existing titles and characters with more adult sensibilities towards an emerging older age group of superhero comic book fans that grew out of Marvel's efforts to market their superhero line to college-aged adults.

Kinney National spun off its non-entertainment assets in as National Kinney Corporation and changed its name to Warner Communications Inc.

Given carte blanche to write and illustrate his own stories, he created a handful of thematically linked series he called collectively The Fourth World.

In the existing series Superman's Pal Jimmy Olsen and in his own, newly launched series New Gods , Mister Miracle , and The Forever People , Kirby introduced such enduring characters and concepts as archvillain Darkseid and the other-dimensional realm Apokolips.

Furthermore, Kirby intended their stories to be reprinted in collected editions, in a publishing format that was later called the trade paperback , which became a standard industry practice decades later.

While sales were respectable, they did not meet DC management's initially high expectations, and also suffered from a lack of comprehension and internal support from Infantino.

By the "Fourth World" was all cancelled, although Kirby's conceptions soon became integral to the broadening of the DC Universe, especially after the major toy company, Kenner Products , judged them ideal for their action figure adaptation of the DC Universe , the Super Powers Collection.

Following the science-fiction innovations of the Silver Age , the comics of the s and s became known as the Bronze Age, as fantasy gave way to more naturalistic and sometimes darker themes.

Illegal drug use, banned by the Comics Code Authority , explicitly appeared in comics for the first time in Marvel Comics' story " Green Goblin Reborn!

Jenette Kahn , a former children's magazine publisher, replaced Infantino as editorial director in January DC had attempted to compete with the now-surging Marvel by dramatically increasing its output and attempting to win the market by flooding it.

This included launching series featuring such new characters as Firestorm and Shade, the Changing Man , as well as an increasing array of non-superhero titles, in an attempt to recapture the pre- Wertham days of post-War comicdom.

In June , five months before the release of the first Superman movie , Kahn expanded the line further, increasing the number of titles and story pages, and raising the price from 35 cents to 50 cents.

Most series received eight-page back-up features while some had full-length twenty-five-page stories. This was a move the company called the "DC Explosion".

Seeking new ways to boost market share , the new team of publisher Kahn, vice president Paul Levitz , and managing editor Giordano addressed the issue of talent instability.

As it happened, the implementation of these incentives proved opportune considering Marvel Comics' Editor-in-Chief, Jim Shooter , was alienating much of his company's creative staff with his authoritarian manner and major talents there went to DC like Roy Thomas , Gene Colan , Marv Wolfman , and George Perez.

In addition, emulating the era's new television form, the miniseries while addressing the matter of an excessive number of ongoing titles fizzling out within a few issues of their start, DC created the industry concept of the comic book limited series.

This publishing format allowed for the deliberate creation of finite storylines within a more flexible publishing format that could showcase creations without forcing the talent into unsustainable open-ended commitments.

The first such title was World of Krypton in , and its positive results lead to subsequent similar titles and later more ambitious productions like Camelot for the direct market in These changes in policy shaped the future of the medium as a whole, and in the short term allowed DC to entice creators away from rival Marvel, and encourage stability on individual titles.

Their superhero-team comic, superficially similar to Marvel's ensemble series X-Men , but rooted in DC history, earned significant sales [64] in part due to the stability of the creative team, who both continued with the title for six full years.

Crisis featured many key deaths that shaped the DC Universe for the following decades, and it separated the timeline of DC publications into pre- and post-"Crisis".

Meanwhile, a parallel update had started in the non-superhero and horror titles. Since early , the work of British writer Alan Moore had revitalized the horror series The Saga of the Swamp Thing , and soon numerous British writers, including Neil Gaiman and Grant Morrison , began freelancing for the company.

The resulting influx of sophisticated horror-fantasy material led to DC in establishing the Vertigo mature-readers imprint, which did not subscribe to the Comics Code Authority.

The mids also saw the end of many long-running DC war comics , including series that had been in print since the s. These titles, all with over issues, included Sgt.

Rock , G. In June, the first Tim Burton directed Batman movie was released, and DC began publishing its hardcover series of DC Archive Editions , collections of many of their early, key comics series, featuring rare and expensive stories unseen by many modern fans.

These collections attempted to retroactively credit many of the writers and artists who had worked without much recognition for DC during the early period of comics when individual credits were few and far between.

The comics industry experienced a brief boom in the early s, thanks to a combination of speculative purchasing mass purchase of the books as collectible items, with intent to resell at a higher value as the rising value of older issues, was thought to imply that all comics would rise dramatically in price and several storylines which gained attention from the mainstream media.

DC's extended storylines in which Superman was killed , Batman was crippled and superhero Green Lantern turned into the supervillain Parallax resulted in dramatically increased sales, but the increases were as temporary as the hero's replacements.

Sales dropped off as the industry went into a major slump, while manufactured "collectables" numbering in the millions replaced quality with quantity until fans and speculators alike deserted the medium in droves.

DC's Piranha Press and other imprints including the mature readers line Vertigo , and Helix , a short-lived science fiction imprint were introduced to facilitate compartmentalized diversification and allow for specialized marketing of individual product lines.

They increased the use of non-traditional contractual arrangements, including the dramatic rise of creator-owned projects, leading to a significant increase in critically lauded work much of it for Vertigo and the licensing of material from other companies.

DC also increased publication of book-store friendly formats, including trade paperback collections of individual serial comics, as well as original graphic novels.

One of the other imprints was Impact Comics from to in which the Archie Comics superheroes were licensed and revamped. DC entered into a publishing agreement with Milestone Media that gave DC a line of comics featuring a culturally and racially diverse range of superhero characters.

Although the Milestone line ceased publication after a few years, it yielded the popular animated series Static Shock. In , DC purchased WildStorm Comics, Jim Lee 's imprint under the Image Comics banner, continuing it for many years as a wholly separate imprint — and fictional universe — with its own style and audience.

In March DC acquired publishing and merchandising rights to the long-running fantasy series Elfquest , previously self-published by creators Wendy and Richard Pini under their WaRP Graphics publication banner.

Agents , in collection into DC Archive Editions. It also rebranded its younger-audience titles with the mascot Johnny DC and established the CMX imprint to reprint translated manga.

DC also took advantage of the demise of Kitchen Sink Press and acquired the rights to much of the work of Will Eisner , such as his The Spirit series and his graphic novels.

In , DC began laying the groundwork for a full continuity-reshuffling sequel to Crisis on Infinite Earths , promising substantial changes to the DC Universe and side-stepping the Zero Hour event which similarly tried to ret-con the history of the DCU.

In , the critically lauded Batman Begins film was released; also, the company published several limited series establishing increasingly escalated conflicts among DC's heroes, with events climaxing in the Infinite Crisis limited series.

Immediately after this event, DC's ongoing series jumped forward a full year in their in-story continuity, as DC launched a weekly series, 52 , to gradually fill in the missing time.

Concurrently, DC lost the copyright to "Superboy" while retaining the trademark when the heirs of Jerry Siegel used a provision of the revision to the copyright law to regain ownership.

In , DC launched its " All-Star " line evoking the title of the s publication , designed to feature some of the company's best-known characters in stories that eschewed the long and convoluted continuity of the DC Universe.

In , DC rebooted all of its running titles following the Flashpoint storyline. The reboot called The New 52 gave new origin stories and costume designs to many of DC's characters.

DC licensed pulp characters including Doc Savage and the Spirit which it then used, along with some DC heroes, as part of the First Wave comics line launched in and lasting through fall In May , DC announced it would begin releasing digital versions of their comics on the same day as paper versions.

On June 1, , DC announced that it would end all ongoing series set in the DC Universe in August and relaunch its comic line with 52 issue 1s, starting with Justice League on August 31 written by Geoff Johns and drawn by Jim Lee , with the rest to follow later on in September.

DC 2 layers dynamic artwork onto digital comic panels, adding a new level of dimension to digital storytelling, while DC 2 Multiverse allows readers to determine a specific story outcome by selecting individual characters, storylines and plot developments while reading the comic, meaning one digital comic has multiple outcomes.

DC 2 will first appear in the upcoming digital-first title, Batman '66 , based on the s television series and DC 2 Multiverse will first appear in Batman: Arkham Origins , a digital-first title based on the video game of the same name.

In , DC announced an eight-issue miniseries titled Convergence which began in April After that, many new series would launch with a twice-monthly release schedule and new creative teams for nearly every title.

The relaunch was meant to bring back the legacy and heart many felt had been missing from DC characters since the launch of the New Rebirth brought huge success, both financially and critically.

DC Entertainment, Inc. In September , Warner Bros. Burbank, California, headquarters in The other units, animation, movie, TV and portfolio planning, had preceded DC Comics by moving there in DC Entertainment announced its first franchise, the DC Super Hero Girls universe, in April with multi-platform content, toys and apparel to start appearing in Warner Bros.

Pictures reorganized in May to have genre responsible film executives, thus DC Entertainment franchise films under Warner Bros. This was done in the same vein as Marvel Studios in unifying DC-related filmmaking under a single vision and clarifying the greenlighting process.

Johns also kept his existing role at DC Comics. DC Entertainment and Warner Bros. Digital Networks announced in April DC Universe digital service to be launched in with two original series.

With frustration over DC Films not matching Marvel Studios ' results and Berg wanting to step back to being a producer in January , it was announced that Warner Bros.

DC's first logo appeared on the April issues of its titles. The small logo, with no background, read simply, "A DC Publication". The November DC titles introduced an updated logo.

This version was almost twice the size of the previous one and was the first version with a white background. This logo was the first to occupy the top-left corner of the cover, where the logo has usually resided since.

The company now referred to itself in its advertising as "Superman-DC". In November , the logo was modified to incorporate the company's formal name, National Comics Publications.

In October , DC briefly retired the circular logo in favour of a simple "DC" in a rectangle with the name of the title, or the star of the book; the logo on many issues of Action Comics , for example, read "DC Superman".

An image of the lead character either appeared above or below the rectangle. For books that did not have a single star, such as anthologies like House of Mystery or team series such as Justice League of America , the title and "DC" appeared in a stylized logo, such as a bat for "House of Mystery".

This use of characters as logos helped to establish the likenesses as trademarks, and was similar to Marvel's contemporaneous use of characters as part of its cover branding.

DC's " Page Super-Spectacular" titles and later page and "Giant" issues published from to featured a logo exclusive to these editions: the letters "DC" in a simple sans-serif typeface within a circle.

A variant had the letters in a square. The July DC titles featured a new circular logo. The letters "DC" were rendered in a block-like typeface that remained through later logo revisions until The title of the book usually appeared inside the circle, either above or below the letters.

In December , this logo was modified with the addition of the words "The Line of DC Super-Stars" and the star motif that continued in later logos.

This logo was placed in the top center of the cover from August to October When Jenette Kahn became DC's publisher in late , she commissioned graphic designer Milton Glaser to design a new logo.

Popularly referred to as the "DC bullet", this logo premiered on the February titles. Although it varied in size and colour and was at times cropped by the edges of the cover, or briefly rotated 4 degrees, it remained essentially unchanged for nearly three decades.

The company released these variants to newsstands in certain markets as a marketing test. In addition to comics, it was designed for DC properties in other media, which was used for movies since Batman Begins , with Superman Returns showing the logo's normal variant, and the TV series Smallville , the animated series Justice League Unlimited and others, as well as for collectibles and other merchandise.

It was announced in April , [] with the title and service formally announced in May DC Universe is expected to offer more than video content through the inclusion of an immersive experience with fan interaction that encompasses comics in addition to television.

Paid services: Google Play , ComiXology []. Irwin said he never played golf with Goodman, so the story is untrue. I heard this story more than a couple of times while sitting in the lunchroom at DC's Third Avenue and 75 Rockefeller Plaza office as Sol Harrison and [production chief] Jack Adler were schmoozing with some of us As the distributor of DC Comics, this man certainly knew all the sales figures and was in the best position to tell this tidbit to Goodman.

Of course, Goodman would want to be playing golf with this fellow and be in his good graces Sol worked closely with Independent News' top management over the decades and would have gotten this story straight from the horse's mouth.

Goodman, a publishing trend-follower aware of the JLA's strong sales, confirmably directed his comics editor, Stan Lee , to create a comic-book series about a team of superheroes.

It was a book called The [ sic ] Justice League of America and it was composed of a team of superheroes. From Wikipedia, the free encyclopedia.

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