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These advances in computer networking, combined with powerful home computers and modern operating systems, made streaming media practical and affordable for ordinary citizens.
Stand-alone Internet radio devices emerged to offer listeners a no-computer option for listening to audio streams. These audio streaming services have become increasingly popular over recent years, as streaming music hit a record of To offset this somewhat, media are generally compressed for both storage and streaming.
In , digital pioneer Marc Scarpa produced the first large-scale, online, live broadcast in history, the Adam Yauch -led Tibetan Freedom Concert , an event that would define the format of social change broadcasts.
A media stream can be streamed either "live" or "on demand". Live streams are generally provided by a means called "true streaming".
True streaming sends the information straight to the computer or device without saving the file to a hard disk.
On-demand streaming is provided by a means called progressive streaming or progressive download. Progressive streaming saves the file to a hard disk and then is played from that location.
On-demand streams are often saved to hard disks and servers for extended amounts of time; while the live streams are only available at one time only e.
For example, sites such as YouTube encourage social interaction in webcasts through features such as live chat , online surveys , user posting of comments online and more.
Furthermore, streaming media is increasingly being used for social business and e-learning. Millennials , the report said, streamed 60 percent of content.
One of the movie streaming industry's largest impacts was on the DVD industry, which effectively met its demise with the mass popularization of online content.
The rise of media streaming caused the downfall of many DVD rental companies such as Blockbuster. It stated that Netflix was continuing their DVD services with 5.
Music streaming is one of the most popular ways in which consumers interact with streaming media. In the age of digitization, the private consumption of music transformed into a public good largely due to one player in the market: Napster.
Napster , a peer-to-peer P2P file sharing network where users could upload and download MP3 files freely, broke all music industry conventions when it launched in early out of Hull, Massachusetts.
Not only did this development disrupt the music industry by making songs that previously required payment to acquire freely accessible to any Napster user, it demonstrated the power of P2P networks in turning any digital file into a public, shareable good.
For the brief period of time that Napster existed, mp3 files fundamentally changed as a type of good. Songs were no longer financially excludable — barring access to a computer with internet access — and they were not rival, meaning if one person downloaded a song it did not diminish another user from doing the same.
Napster, like most other providers of public goods, faced the problem of free riding. Every user benefits when an individual uploads an mp3 file, but there is no requirement or mechanism that forces all users to share their music.
Thus, Napster users were incentivized to let others upload music without sharing any of their own files. This structure revolutionized the consumer's perception of ownership over digital goods — it made music freely replicable.
Napster quickly garnered millions of users, growing faster than any other business in history. The site gained so much traffic that many college campuses had to block access to Napster because it created network congestion from so many students sharing music files.
The reign of P2P networks was short lived. The first to fall was Napster in In addition to this, the Recording Industry Association of America RIAA also filed a lawsuit against Napster on the grounds of unauthorized distribution of copyrighted material, which ultimately led Napster to shutting down in Napster, Inc.
It was argued on 2 October and was decided on 12 February The Court of Appeals for the Ninth Circuit ruled that a P2P file sharing service could be held liable for contributory and vicarious infringement of copyright, serving as a landmark decision for Intellectual property law.
The first issue that the Court addressed was " fair use ," which says that otherwise infringing activities are permissible so long as it is for purposes "such as criticism, comment, news reporting, teaching [ The second claim by the plaintiffs was that Napster was actively contributing to copyright infringement since it had knowledge of widespread file sharing on their platform.
Since Napster took no action to reduce infringement and financially benefited from repeated use, the Court ruled against the P2P site.
The court found that "as much as eighty-seven percent of the files available on Napster may be copyrighted and more than seventy percent may be owned or administered by plaintiffs.
The injunction ordered against Napster ended the brief period in which music streaming was a public good — non-rival and non-excludable in nature.
Other P2P networks had some success at sharing mp3's, though they all met a similar fate in court. The ruling set the precedent that copyrighted digital content cannot be freely replicated and shared unless given consent by the owner, thereby strengthening the property rights of artists and record labels alike.
Although music streaming is no longer a freely replicable public good, streaming platforms such as Spotify , Deezer , Apple Music , SoundCloud , and Prime Music have shifted music streaming to a club-type good.
While some platforms, most notably Spotify, give customers access to a freemium service that enables the use of limited features for exposure to advertisements, most companies operate under a premium subscription model.
Music streaming platforms have grown rapidly in popularity in recent years. Apple Music and Prime Music only offer their services for paid subscribers, whereas Spotify and SoundCloud offer freemium and premium services.
Napster, owned by Rhapsody since , has resurfaced as a music streaming platform offering subscription based services to over 4. The music industry's response to music streaming was initially negative.
CD's and single-track downloads were not selling because content was freely available on the Internet. The result was that record labels invested more in artists that were "safe" — chart music became more appealing to producers than bands with unique sounds.
In , however, music streaming revenue exceeded that of traditional revenue streams e. In an interview, Jonathan Dworkin, a senior vice president of strategy and business development at Universal, said that "we cannot be afraid of perpetual change, because that dynamism is driving growth.
Using a multicast protocol the server sends out only a single stream that is common to all users. See below for more information on these protocols.
The calculation for live streaming is similar. The video stream is compressed using a video coding format to make the file size smaller.
Video coding formats include H. The bitstream is delivered from a streaming server to a streaming client e. Often, a streaming transport protocol is used to send video from an event venue to a " cloud " transcoding service and CDN, which then uses HTTP-based transport protocols to distribute the video to individual homes and users.
The quality of the interaction between servers and users is based on the workload of the streaming service; as more users attempt to access a service, the more quality is affected unless there is enough bandwidth or the host is using enough proxy networks.
This central server then uses load balancing and scheduling algorithms to redirect users to nearby regional servers capable of accommodating them.
This approach also allows the central server to provide streaming data to both users as well as regional servers using FFMpeg libraries if required, thus demanding the central server to have powerful data-processing and immense storage capabilities.
In return, workloads on the streaming backbone network are balanced and alleviated, allowing for optimal streaming quality.
Designing a network protocol to support streaming media raises many problems. This is simple and efficient; however, there is no mechanism within the protocol to guarantee delivery.
It is up to the receiving application to detect loss or corruption and recover data using error correction techniques.
If data is lost, the stream may suffer a dropout. Another approach that seems to incorporate both the advantages of using a standard web protocol and the ability to be used for streaming even live content is adaptive bitrate streaming.
However, they accomplish this with a system of timeouts and retries, which makes them more complex to implement.
It also means that when there is data loss on the network, the media stream stalls while the protocol handlers detect the loss and retransmit the missing data.
Clients can minimize this effect by buffering data for display. Unicast protocols send a separate copy of the media stream from the server to each recipient.
Unicast is the norm for most Internet connections, but does not scale well when many users want to view the same television program concurrently.
These protocols send a single stream from the source to a group of recipients. Depending on the network infrastructure and type, multicast transmission may or may not be feasible.
One potential disadvantage of multicasting is the loss of video on demand functionality. Continuous streaming of radio or television material usually precludes the recipient's ability to control playback.
However, this problem can be mitigated by elements such as caching servers, digital set-top boxes , and buffered media players.
IP Multicast provides a means to send a single media stream to a group of recipients on a computer network.
A multicast protocol, usually Internet Group Management Protocol , is used to manage delivery of multicast streams to the groups of recipients on a LAN.
One of the challenges in deploying IP multicast is that routers and firewalls between LANs must allow the passage of packets destined to multicast groups.
If the organization that is serving the content has control over the network between server and recipients i. As in mass delivery of content, multicast protocols need much less energy and other resources, widespread introduction of reliable multicast broadcast-like protocols and their preferential use, wherever possible, is a significant ecological and economic challenge.
This prevents the server and its network connections from becoming a bottleneck. However, it raises technical, performance, security, quality, and business issues.
Useful — and typical — applications of the "streaming" concept are, for example, long video lectures performed "online" on the Internet.
There are also new marketing concepts. For example, the Berlin Philharmonic Orchestra sells Internet live streams of whole concerts, instead of several CDs or similar fixed media, by their so-called " Digital Concert Hall "  using YouTube for " trailing " purposes only.
These "online concerts" are also spread over a lot of different places — cinemas — at various places on the globe.
A similar concept is used by the Metropolitan Opera in New York. There also is a livestream from the International Space Station. Media that is live streamed can be recorded through certain media players such as VLC player , or through the use of a screen recorder.
Live-streaming platforms such as Twitch may also incorporate a video on demand system that allows automatic recording of live broadcasts so that they can be watched later.
These streams have the potential to be recorded by anyone who has access to them, whether legally or otherwise.
Streaming copyrighted content can involve making infringing copies of the works in question. The recording and distribution of streamed content is also an issue for many companies that rely on revenue based on views or attendance.
There are several ways to decrease greenhouse gas emissions associated with streaming music, including efforts to make data centers carbon neutral , by converting to electricity produced from renewable sources.
On an individual level, purchase of a physical CD may be more environmentally friendly if it is to be played more than 27 times.
From Wikipedia, the free encyclopedia. See also: Internet video and Timeline of online video. Further information: Data compression.
See also: Video coding format. See also: Streaming service provider. It dematerializes music, denies it a crucial measure of autonomy, reality, and power.
It makes music seem disposable, impermanent. Hence it intensifies the ebb and flow of pop fashion, the way musical 'memes' rise up for a week or a month and are then forgotten.
This section needs expansion. You can help by adding to it. December See also: Copyright aspects of downloading and streaming.
Archived from the original on 16 December Google Patents. IGI Global. Digital Signal Processing. Institution of Engineering and Technology.
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